The gay neighborhood thumps with house music. Under normal circumstances, June busts out all over with Pride Month parties and parades. Well, what follows are the best Westerns of the 2010’s according to us.The good news: this year you have time for some movies. Or postmodern if you wish, that obnoxious, inevitable term. That is not true, although, admittedly, pretty much of what happens today is indeed retro and pastiche. Some say the Western Film has been dead for quite some time now. Their films didn’t just depict the white men as good and the Indians as evil and challenged the genre’s fixed aesthetics, to put it bluntly. Then Revisionist Western film makers like Sam Peckinpah and Alejandro Jodorowsky revitalized the genre. The genre as people knew it became worn out.
They kept the audiences away from the cinemas and glued to their tubes.
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The film genre’s popularity decreased, which was largely the result of the rise of the Western TV series like Bonanza, Rawhide, Gunsmoke and The Rifle Man. In 1950 Hollywood produced over a 130 Western films. Everyone’s familiar with the archetypes of the genre, so let’s just blend in as many of these elements and then we’ll have nice piece of pastiche cinema! There’s often a strong hint of irony in these films. At its best, a modern Western film in 2014 is something a director, for once in his career, gives a shot at a style exercise so to say. You don’t find this kind of highly specialized directors anymore. Back in the days, certain directors were specialized in making them, most notable John Ford, Sergio Leone and Sam Peckinpah. In the 2010's, the Golden Days of the Western Film have long been gone. From Tarantino to the Coen Brothers, we picked the very best neo-westerns of the last couple of years. But we mainly see an increase in modern & slick genre films that feel like old-fashioned Westerns with shoot-outs and saloons, but feel undeniably new, and are perhaps a little bloodier and more violent (The Hateful Eight, Brimstone). Comedies have realized the potential of the almost silly seriousness of these tough cowboys, and even horror filmmakers see opportunities for scary stuff taking place in the dusty Wild West.
It is no longer only Clint Eastwood who runs the game, it has become a genre with many new players, and with many new innovative plays on the genre. Indeed, the genre is more alive than it has been for decades. Whoever thinks that the Western is long dead, is terribly wrong. Well, it’s not too hard to imagine what great things Tarantino can create with these ingredients. King Schultz, which is another magnificent (and Academy Award winning role) by Christopher Waltz. He’s helped by a peculiar bounty hunter named Dr.
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Django is a former slave determined to revenge his former owners and to free his enslaved girlfriend.
(Remember Inglorious Basterds’ brilliant opening scene?) The story is simple. Django Unchained is his first proper Western, although many of his earlier films borrowed a fair amount of the genres’ features. But that doesn’t say it’s only a gimmick. Known as a cinephile extraordinaire, he pays homage to dozens of genres, films and directors within his work. The word ‘pastiche’ almost seems to be invented for Quentin Tarantino’s films. Read moreĭjango Unchained DIRECTOR: Quentin Tarantino CAST: Jamie Foxx Tommy Lee Jones established himself as one of Hollywood’s most interesting directors with this outstanding feature film. The Homesman is stunningly shot and succeeds wonderfully at shifting between hilarious, dark comedy and truly gripping drama. Jones himself plays an opportunistic claim jumper who accompanies Marry Bee after a weird twist of faith. Hillary Swank, in an impressive lead, is Mary Bee Cuddy, a somewhat quaint young unmarried woman who takes the task of escorting three mentally ill women through the vast and dangerous plains to the nearest asylum. The genre suits Jones, so to say, as The Homesman is one of the most interesting films of 2014, and the definitely the best western of 2014 I’ve seen so far. In 2005 actor-turned-director Tommy Lee Jones surprised friend and foe with the surprisingly strong neo-Western The Three Burials of Melquiades Estrada. The Homesman DIRECTOR: Tommy Lee Jones CAST: Tommy Lee Jones